Thursday, 29 December 2016

ROLE OF FILM IN FOSTERING NATIONAL DEVELOPMENT IN NIGERIA





Film is a unique means of communication; its visual bias gives it a universal appeal and impact. Film is the link between all the aspects or forms of literature –prose, poetry, short story and dram. Film plays important roles in the development of any groups of people, ethnicity, and race as a nation or country. It is a veritable tool of national development. One of the key areas in which perform this duty is in the realm of culture.

Film is a purveyor of culture. It helps to preserve the culture of a people from eroding away and this is a focus of implementation of the Nigerian National policy on film article
4(3) c, which states that “film will be produced to protect and promote our rich cultural heritage and our national aspirations in the process of development”. Culture is the totality of the ways of life of a group of people, nation or tribe including their food, costumes, dressing, music, marriage and burial practices etc and it is the bedrock of the essence of being of a people. Tunde Oladunjoye in an article in the Guardian Newspaper of Sunday April 18, 2004 titled: “Cannes Film Festival Knocks, Where is Nigeria?” retraced and emphasizes the role film plays in cultural promotion when he says “I am not aware of nay nation that has been able to achieve development without proactive promotion of its essential cultural components” and this is true because culture is an integral aspect of the life of a people. Much of the Americanization of the world (if I can use that word) is due to the fact that Hollywood movies emphasizes, promotes and projects the American people and nation in a form that most appeal to the viewer, thus from watching Hollywood movies the tendency to be American is developed and this is apparent in the way our youths dresses, the way they speak amongst other nuances.

The film industry is a big employer of labour in any economy. Film like any other aspect of the Theatre arts is a melting pot of all the arts-painting, costumes, writing; prose, drama, poetry, short story, acting, directing, producing, photography, tourism and so on.
According to an anonymous source, it takes a small village of people to make a movie. Film is a big art form that requires the involvement and participation of many people who are often employed as actors, costumiers, cameramen, producers, singers and aesthetic workers. In an article in the Sunday punch of 28th August, 2004, Yinka Ogundaisi, a major Yoruba film producer says that about N100 million goes into film production in Nollywood and about N1.2 Billion annually; the industry was valued at over N4 Billion in 2003. Film provides worthwhile employment for a lot of people; other people are employed in the downstream sector of the industry as marketers, video club owners, copyright and censorship officers etc.


More so film plays an important role in education and human resources development. Audio visual aids are now a significant element in teaching and knowledge impartation. Films are produced on different aspects of medicine, law, humanities etc. It is a very important in pre-school education; there are volumes of educational film materials for toddlers and small children, this is based on the premise that the human mind retain information more vividly what is heard and seen better than what is heard or read only. Educational film is a genre of film on its own. Furthermore documentary film helps to enlighten the public about events and phenomenon in the environment.

Film plays a vital role in social mobilization and information. Film is used to popularise government policies and ideologies amongst the masses. Owing to its ability to hold a captive audience films are used more than any other means of mass communication to promote ideas of positive social transformation as well as to consolidate and build new relationship between culture and national development for example, the National Orientation Agency and the Ministry of Information and Culture uses films to promulgate awareness on issues such as the HIV/AIDS endemic, anti-corruption, poverty alleviation, etc.


Film also help to inspire and develop a nation’s population through the adoption of themes which emphasize the desirable rather than the negative aspect of present social existence and the projection of heroes and heroine that refuse to get involved in the ills and evil around them.

Film serves entertainment and therapeutic purposes. The feature and animated films are chiefly made to entertain the viewer and also help him or her relax. Madagascar, the Matrix Parts I-III, Titanic, Gods Must Be Crazy are produced to help the audience relax and give off tension.

It is a tool of national mobilization, unity, a sign of national autonomy and a means of the preservation of heritage and sovereignty.

Film is a gizmo of research as in the case of archival and library materials. Reel tapes of national events like the Independence Day, First Visit of Queen Elizabeth to Nigeria, the Declaration of Independence, June 12 Presidential election, the official handover from Military rule to Democratic Governance in 1999.

Film is a propaganda device. Established and successful film theorist and filmmaker, Sergei Milkahovich Eisenstein (1898-1948) used films to lobby for the public to accept the regime of Josef Stalin who was the President of the Soviet Union in the deformed USSR. Lisa Reinfanhel also used film that projected the Nazist regime of Adolf Hitler has been the best form of government in the world.

Film is an art form that appeals to the senses of beauty and aesthetics. It combines all the arts of editing, costume, make up, lighting, dance, drama (writing), directing and producing to make it statements.  By Gbenga AdemijuAdemiju

Monday, 19 December 2016

WHAT YOU SHOULD KNOW ABOUT ACTING BEFORE U COULD BECOME SUCCESS

There are a lot of things you need to know as an actor or actress, but here are five lessons I wish I'd learned early in my career.  by Oluwagbemiga ademiju.

1. Know your “type.” Sure in school you learned how to play any role—to stretch, to challenge, to grow. Out in the real world, you are unlikely to be able to play much outside of your general age, height, weight, etc. It is very important to have a clear sense of who you are when you walk into a room and what that means in terms of the roles you can audition for. This takes work, soul searching, and asking friends, teachers, agents, and casting directors to give you some hard opinions about your type. Then your headshot should reflect that person. You may very well be able to play many other kinds of roles. However, you aren’t going to get to do those roles unless you get the jobs that you are right for first.

2. The first year is the hardest. If you thought college was hard, wait until you hit the real world. What I hear from former students most often is, “I knew it was going to be hard. I just didn’t know it was going to be this hard.” This business is not for the faint of heart. It takes a lot of hard work and belief in yourself to even feel like you’ve gotten a hold of the bottom rung of the ladder. Learning to be patient and wait your turn are skills you can work on every day.

3. You need to work at it every day. If you want to get through those first couple of difficult years, you have to work at it every day. If you leave it to chance, you will always be able to convince yourself that you will have time to do those mailings, make those calls, and read those trades “soon.” You have to start by scheduling at least an hour every day that you are working at your business—and it is a business. Any day that you have done at least one thing for your career is a good day. This includes auditioning, doing mailings, etc., but it also includes working out, eating healthy, seeing plays, movies, new TV shows, etc. Your job is to learn the business. It is “learnable,” but you do have to learn it.

4. Agents, casting directors, producers, and directors are not “the enemy.” Yes, the whole manager, agent, casting director system is set up so that many, many people have vetted you before you get in front of the person who will actually decide to hire you—the director. producer, or both. However, they really do want you to be good. It makes their job easier. Remember if you nail it in the room, then everyone in that system looks good. The director will trust the casting director to present new talent. The casting director will trust your agent to pitch new actors. Your agent will look to the school where you trained for new talent next year. There is truly nothing more exciting in an audition room than when someone you’ve never met before comes in and just knocks it out of the park. Your job is to be that person. When you are, you make everybody look good—especially you. It takes a while to really believe this. Keep reminding yourself of it.

5. Being a good person is just as important as being a good actor. At a certain level, any of the five people up for a part could do a good job in the role. Are you someone I want to be in a rehearsal room with for a month? A movie set for six months? A TV series for seven years? It takes time to build a reputation. The way you do that is by treating everyone with respect and trying your best to do good work.

It takes persistence to have a life in this business. If you really are going to spend your life as an actor, then the fact that the first year or two was hard is a drop in the bucket.

Be on time. Be professional. Be thankful.

Inspired by this post? Check out our audition listings! January at bauchi state

Ademiju gbenga teaches on-camera acting and audition technique at G net Acting GRoup. He is a veteran of more than 150 episodes of network television. He was a series regular on "Sports Night" and recurring as a reporter on more than 50 episodes of The gnet series...

Sunday, 18 December 2016

25 SKILLS THAT WILL BOOST YOUR ACTING CAREER

25 Special Advantages the Theatre Major Has - (and may not even know!)

By ADEMIJU GBENGA 

Here's a list of twenty-five skills, traits, and qualities of personality that are usually well-developed in individuals who complete four years of undergraduate theatre study.

Take special note of them. They are more extensive and important than perhaps you recognize.

As you think about them, consider how many of these advantages are unique to theatre majors--and that you have far more advantages than majors in most other disciplines.



Oral Communication Skills
Many students find that theatre helps them develop the confidence that's essential to speaking clearly, lucidly, and thoughtfully.
Acting onstage teaches you how to be comfortable speaking in front of large audiences, and some of your theatre classes will give you additional experience talking to groups. Furthermore, your work on crews has taught you that clear, precise, and well-organized oral communications are best. Oral communication skills are so important to some employers that they often send management trainees to special workshops. You already have an advantage.


Creative Problem Solving Abilities
Most people expect theatre students to exhibit creativity in such areas as acting, design, playwrighting or directing, and many companies do recruit creative thinkers. But employers are not always aware that theatre experience also helps you learn creative problem-solving techniques that are applicable to many jobs. Tell them!
For one example, tech theatre work--building scenery, hanging lights, making props, running the show, and so on--is a particularly good way to learn how to think on your feet, to identify problems, evaluate a range of possible solutions, and figure out what to do.

The same is true of almost every aspect of theatre. Directing. Design. Acting. Playwriting. Management. And more.

The point here is that your creative ability, what you've learned about using creative processes to solve problems, can be directly applicable to virtually any job you may have.

Most major companies believe that a creative problem-solver will become a good employee. That's you.


More than "get it done"
But theatre students learn that just "getting it done" isn't enough. Not at all. It goes beyond that. You learn to do it correctly. In theatre we learn that merely "getting the show on the boards" is pure bush league and totally unacceptable. Whatever your theatrical job--tech, performing, research, management--it has to be done right . You learn to take pride in doing things at your very best level. Of course an employer will value that trait.

Motivation and Commitment
Being involved in theatre productions and classes demands commitment and motivation. These are qualities that college theatre faculty members and, in some measure, you and your fellow students, probably already possess. By example, we teach each other that success comes to those who are committed to the task at hand. Few other disciplines you study will so strongly help you develop motivation and commitment.
Many theatre students learn to transfer that attribute from theatre to other activities such as classes and jobs. For employers, that positive attitude is essential.


Willingness to Work Cooperatively
Your work in theatre companies teaches you how to work effectively with different types of people--often very different types!
Theatre demands that participants work together cooperatively for the production to success; there is no room for "we" versus "they" behavior; the "star" diva is a thing of the past. Your colleagues will usually let you know when you violate the team spirit of a production.

In theatre, it's important that each individual supports the others involved. Employers will be pleased to know that you understand how to be a team player.


The Ability to Work Independently
In theatre, you're often assigned tasks that you must complete without supervision. Crew chiefs. Directing. Putting together this flat, finding that prop, working out characterization outside of rehearsals. It's left up to you to figure out how best to achieve the goal. The ability to work independently is a trait employers look for in their workers.

Time-budgeting Skills
When you're a student, being involved in theatre forces you to learn how to budget your time. You need to schedule your days very carefully if you want to keep up your grades while you're busy with rehearsals, work calls, and the other demands that theatre makes on your time. Good time management skills are enormously important to employers.

Initiative
Personnel managers call people who approach work with initiative and enterprise "self-starters," people who do what needs to be done without waiting to be asked, without needing to be told.
The complexities of a theatrical production demand individuals who are willing to voluntarily undertake any task that needs to be done in order for the production to succeed. In theatre, we're all self-starters. We learn how to take initiative, to move a project from initial concept to finality--and to do it well.


Promptness and Respect for Deadlines
Tardiness is never acceptable in theatre because it shows a lack of self-discipline, and more importantly, a lack of consideration for others. Being late for a rehearsal or a work call or failing to finish an assigned task on time damages a production and adversely affects the work of many other people. Theatre demands that you learn to arrive on time and meet scheduled deadlines.
That's a job-skill. Employers appreciate workers who are on time and do their work as scheduled.


Acceptance of Rules
In theatre you work within the structure of a set of procedures and rules that deal with everything from shop safety to behavior at auditions, rehearsals and work calls. You learn that you must be a "good follower." Theatre teaches you the importance of rules, a concept that's valued in any organization.

The Ability to Learn Quickly--AND Correctly
Theatre students, whether they're memorizing lines or learning the technical aspects of a production, must have the ability to absorb a vast quantity of material quickly--and accurately . Your work in college theatre will show that you have the ability to grasp complex matters in a short period of time, a highly-valued trait to employers.
Note that part of this ability is another significant trait: knowing how to listen. If you don't listen, you're likely to make some major error that will damage the production. Listening is a skill for any job and an employer will respect your ability to listen and comprehend.

Respect for Colleagues
In theatre you discover that a successful production requires contributions from everybody who's involved. Mutual respect is essential. Working on a production teaches us to respect and trust the abilities and talents of our colleagues. A prospective employer will appreciate the fact that you have learned the importance of respecting your co-workers.

Respect for Authority
Only one person can be in charge of any given portion of a production. The director. The shop foreman. The tech director. The designer. Theatre teaches you to willingly accept and respect authority. That's a trait employers look for in their workers.

Adaptability and Flexibility
Theatre students must be adaptable and flexible. You need to be willing to try new ideas, accept new challenges, and have the ability to adapt to constantly changing situations and conditions. In one production you may be a member of the prop crew; in the next perhaps you're in charge of makeup, publicity or the box office; in a third production you might have a leading role.
A worker who is versatile and flexible is highly valued to most employers; both traits prove that you are able and willing to learn new things.


The Ability to Work Under Pressure
Theatre work often demands long hours. There's pressure--often, as you know well, a lot of pressure. It's important that everyone involved with a production be able to maintain a cooperative and enthusiastic attitude under pressure. The ability to remain poised under such tensions in an asset that will help you cope with stress in other parts of your life, including your job.

A Healthy Self-Image
To work in theatre, you must know who you are and how to project your individuality. But at the same time, it's important to recognize the need to make yourself secondary to the importance of a production. This is a tricky balance that, although difficult to accomplish, is a valuable trait that employers treasure.

Acceptance of Disappointment--And Ability to Bounce Back
Theatre people learn to deal with dashed hopes and rejection on a regular basis. Who hasn't failed to get a role he or she really wanted or a coveted spot on a tech crew? You learn to accept that kind of disappointment and move on. You try again. Employers need workers who are resilient enough to bounce back from this kind of frustration.

Self-Discipline
Theatre demands that you learn how to control your life. More than other students, you are forced to make choices between keeping up with responsibilities and doing things you'd rather do. You learn to govern yourself. An employer will respect that ability.

A Goal-Oriented Approach to Work
Many aspects of theatre involve setting and achieving specific goals. In employer's terms, you've learned to be task-oriented and capable of finding practical ways to achieve goals.

Concentration
Busy theatre students, involved in a production or other theatre projects while also taking a heavy academic load, must learn to concentrate if they are to succeed. Acting classes in particular stress concentration, and once you have learned that skill as an actor, it can be transferred to other activities.

Dedication
As you work in theatre you learn to dedicate your very being--to doing your best to create a successful production. There is dedication to that show...to your home theatre...to theatre as an art.
Many theatre students discover that committing oneself to a given task is deeply rewarding. Employers respect workers who have learned the value of dedication.


A Willingness to Accept Responsibility
Theatre students sometimes have an opportunity that is seldom given to students in other disciplines--the chance to take on sole responsibility for a special project. Being a production stage manager...a designer...a crew chief...a director. Students with other majors seldom have anything even close to these lessons. You can expect employers to value this unusual ability.

Leadership Skills
As a theatre student, you have many opportunities to assume leadership roles. You may, for example, assist a director or designer and lead other volunteers, serve as a crew chief, or even design or direct a production yourself. In the nuturing environment of theatre, faculty help you learn from mistakes so you become a better leader. Leadership training like this can open the possibility for comparable opportunities in a company that hires you. Can you think of any other major that offers this opportunity?

Self-Confidence
Theatre training teaches you confidence in yourself. Your accomplishments in theatre show you that you can handle a variety of jobs, pressures, difficulties and responsibilities. You develop a "Yes, I can!" attitude. Of course an employer will treasure that.

Enjoyment -- "This is Fun!"
You've discovered already that theatre people mystify civilians when we say we're having fun. Non-theatre folk shake their heads when we tell them that, and they ask how it is possible to have "fun" in a job that keeps us working night after night, sometimes until after midnight, doing something that calls for a grinding rehearsal or work schedule day after day after day, that makes us miss going to a movie or a concert. "That's fun?"
Yes. It is. We've learned how to find enjoyment in what we do. That's a valuable attribute.


We can adapt that to other jobs, find ways to enjoy other activities. That positive attitude will mean a great deal to any employer.
                               By Ademiju OLuwagbemiga

Saturday, 17 December 2016

HOW TO BECOME GREAT IN THE INDUSTRY


The 10 Commandments of Being a Good Actor

By G net group



Last week, my doctor ordered me to lose 20 pounds. I offered to drop 10 and not a pound more. He smirked and told me to bend over.
What can I say? This kid loves Christmas and all the sugar that comes with it. But as we all know, there’s a price to pay when we indulge our addictions. So the time has come for me to address all the extra fat that’s hanging over my belt.
I started yesterday by hiking up to the Hollywood sign. A steep climb at a steady pace is a great way to burn calories. It sure beats running on a treadmill like a hamster in a cage. But a funny thing happened on my way up the mountain.
I had a religious experience.
As I was approaching the sign, the sun vanished behind unexpected clouds. I suddenly found myself surrounded by rain and lightning. And then the ground started to shake. I fell to my knees. I prayed. And that’s when I heard the Voice.
If you search online, you’ll find cell phone footage of me taken by other hikers. The clips show yours truly coming down from Mount Lee, my hair a frosty white, holding two stone tablets.
I believe the Gods of Hollywood chose me to deliver their lesson because of my weekly pulpit right here in Backstage. They knew I had the power to reach thousands of actors. So to honor their wishes, I now present you with the Ten Commandments of Being a Good Actor:
I. Thou Shalt Not Settle
Too many actors settle for being good when they have the potential to be great.
II. Thou Shalt Not Lose Track of the Big Picture
Actors tend to fixate on short-term details, like finding a good agent and getting the perfect headshot. That’s fine, but the career path you choose will be determined by your long-term goals.
III. Thou Shalt Learn How to Network
Knowing how to meet and interact with industry professionals is an essential skill.
IV. Thou Shalt Be Realistic
When you’re just starting out and you don’t have many credits, don’t ask your agent to get you an audition for the lead in a network pilot. There’s nothing wrong with aiming high, but you can’t lose yourself in the clouds.
V. Thou Shalt Learn to Shut Up
Actors spend way too much time listening to the sound of their own voice. Try keeping quiet every now and then, especially when you’re talking to people in the industry. Who knows? You might actually learn something.
VI. Thou Shalt Question the Source
Don’t believe everything you hear. You know the actor in class who’s half as talented as you but claims he booked a pilot? He’s lying. The guy’s actually doing a Web series that his girlfriend is financing with the money she made dancing at Crazy Horse.
VII. Thou Shalt Learn to Say No
You don’t have to jump on every opportunity that comes your way. I’m talking about the manager who lives out of his car and wants to sign you. I’m also talking about that nonunion film that expects you to perform full frontal nudity.
VIII. Thou Shalt Take Chances
You took a huge risk when you decided to become an actor. So why not keep that daredevil spirit alive as you pursue your career?
IX. Thou Shalt Be Mentally Healthy
Rejections aren’t personal. Your ego doesn’t control your life. And strangers do not have the power to crush your dreams. (Only you can do that.)
X. Thou Shalt Get a Life
Never put life on hold for your career. If acting is based on life experience, how can you be a great actor when you have no life?
Like this advice? Check out more from
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Friday, 16 December 2016

how to becoming a film maker

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How to Be a Filmmaker
Are you interested in being a part of the film industry? Do you want to make interesting, funny, or serious videos for YouTube or another video site? If you would like to be successful on YouTube by becoming a filmmaker, read on.



Steps
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Buy a Camera. Go to a local electronics store, and ask to see their selection of video cameras or camcorders. There are many different cameras to choose from, and it is easy to buy an affordable camera that takes high-quality film but try to get the best. Visit stores like Target, WalMart, Radio Shack, or Best Buy to choose a camera. Try not to buy the most expensive camera on the market, especially when you are not yet sure if you would like to pursue film-making. If you would like to start small, flip video cameras are affordable and take nice quality videos.
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If you have an smartphone with a good camera use it as your camera.
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Remember, the content of the video matters more than what brand of camera you use.
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Start Your Film Crew. While it is possible to make good videos by yourself, film-making can be much more fun if you have a "crew" of friends to film with. Try to get friends together who are also interested in film-making, and assign each crew member a job. The production of your film will go much more smoothly if you have a person assigned to the following: -Camera Man (1-2): This is the person who films the movie. They should have prior experience using a video camera, and be able to film from different interesting angles. -Producer (Script-Writer) (2+): This person or team gets together to decide on what the film will be about. They must write lines for every character and make sure the script has a beginning, climax, and resolution. -Director (1): This person makes sure the actors are realistically pulling the script together and showing the proper emotions at all times. -Actors (2+): This person or team uses proper emotions and actions to describe their characters' feelings. They are able to become the person they are portraying, no matter how different the character is from the actor's personality. -Stage Manager/Costume Coordinator (2+): This team works to make all scenes being filmed come to life. They work on props for the scene as well as the actors' costumes and makeup. -Technical Producer (1-2): This person works hard after the filming is completed. They are in charge of editing the film for content, as well as adding special effects and music when necessary.
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Retrieve Your Materials. Most likely, your film will have at least one prop or costume. Craft stores and Halloween stores such as Party City will have a wide selection of props and interesting costumes to choose from. Applying dramatic makeup to actors will also add effect, and that can be purchased as well. When in doubt, check to see if you have any props at home. If your budget is small, you may find that you can work with very little of what you already have and still make an excellent film.
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Pick a Location. If you would like to film different scenes in different areas, that is fine, but you will most likely have one central location where much of the movie takes place. Find a wide open area indoors or outdoors, depending on what is appropriate. Try to film in a location that has a power source to charge the video camera and other electronic items being used. Make sure your location is not on private property; pick someplace you know you are allowed to film.
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Film Your Movie. Pick a nice day when your crew can arrive at the set location. Take your time; your film will most likely come out better if you are not rushing and spend time working with your actors to show the correct emotions throughout the film.
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Have Fun. This is the most important step because if you do not have fun, it will come across in your film. Laugh at your bloopers, and take breaks if you need them. Remember why you are filming in the first place: you love making movies. Do it for the fun, not the fame.


Advertisement
Community Q&A
Is this something I can make a living out of? Answered by wikiHow Contributor
If you put your heart into it, yes. Enter your film in film festivals and choose your steps front there.
10  0
After I am done with my film, how can I get it played on the television? Answered by wikiHow Contributor
Promote yourself on any media sites that you can, like YouTube, Facebook, etc. You may have to invest a little money and have a partner to help you out with it that understands the industry.
5  0
Can I tell my members to pay money when I need backing on a movie project? Answered by wikiHow Contributor
If you are just starting out, you need to build a following before expecting people to invest in you. If you have a good enough idea, you may be able to present it to your members along with a plan of action for how you will carry out your vision, and you may be able to drum up some support.
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What do I have to study if want to be a filmmaker? Answered by wikiHow Contributor
There's no major in film making in most colleges, but theater arts gives you leverage.
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Can I be a filmmaker if the only places I can film are my house and a family member's house? Answered by wikiHow Contributor
Yes, use what you have and don't worry about what you don't have. Write a movie that is character driven with lots of dialogue, then it won't matter where you're shooting.
0  0
Ask a Question

Submit
Video
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Tips
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create a list of locations props and actors available locally and develop a film from this.
19 Helpful?  0
Pick a topic you are interested in! You are more likely to enjoy making a film about something you know a lot about rather than something you know very little about.
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If you become successful in your city, try selling copies of your films to businesses and tourists. They may love your films and spread the word about your crew!
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If you would like to name your crew, come up with a name that is catchy. If people remember it, they will repeat it.
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If you put on too much makeup, it will not look as good on the camera view. Use just enough to be visible on camera, but do not make your actors look like clowns.
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DSLRs such as the Canon 650d are a good option as they are cheaper than HD camcorders but still offer full HD 1080p, you can easily achieve a shallow depth of field and you can change lenses.
11 Helpful?  5
Add
Warnings
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Test the makeup on your actors before using it on their face. Test for allergies or irritation. If this occurs, do not use the makeup.
14 Helpful?  3
If driving in a car in your film, do not drive past somewhere where they do not want to draw people, or you will have to blur the background image.

 

Wednesday, 14 December 2016

BECOMING A GOOD PRODUCER IN FILM MAKING TIPS





BECOMIN A GOOD PRODUCER

Just as entrepreneurs need to determine what kind of business they want to start, film producers have to determine what kind of film they want to produce. A common source for a film is a novel, short story, or screenplay. The producer’s job at this stage is to secure the rights of the story from the author and to negotiate any demands the author may present.

Preparing A Script And Finding A Director

A story is rarely ready to be made into a film, so the producer has to find a screenwriter to turn the story into something filmable. The producer also has to find a director to realize the screenplay and guide actors through the filming process. The director has a significant impact on the tone of the film.

Given the same script, Tim Burton and Steven Spielberg will create two different movies.

Tim Burton behind the camera

Consider Financing

Producing a film from start to finish requires enormous resources, so one of the key duties of a producer is to secure funding from a film. Usually, funding is secured from a large studio, but some high-powered producers finance their own films. In the past few years, crowdfunding on sites such as Kickstarter and Indiegogo has become another way to fund a movie. For example, the movie Veronica Mars received over $5 million from its Kickstarter project.

Begin Casting

Generally the last step before a movie begins filming, actors are auditioned and cast. A producer is not necessarily involved in this step.

Start Filming

Because a producer may be working on several projects at once, the task of overseeing the filming process is often delegated to sub-producers, or executive producers. Indeed, most films have several producers who oversee different stages of a film’s production. A good case in point is 2012’s The Avengers, which was produced by Kevin Feige and seven sub-producers.

The cast of the Avengers on the red carpet

Post Production

Although producers usually are not involved in editing a film, they wield editorial control over the finished film and can make decisions about how a film ends or what scenes it should include or exclude. Some films are tested to gauge audience reaction, and a film may be adjusted accordingly.

Distribution

If the producer is satisfied with a film, then he or she distributes the film. A common way to distribute a film is through an established studio, which in turn distributes the movies to cinemas across the country. However, direct-to-video distribution is becoming more common, especially for smaller companies and independent studios.

Although direct-to-video movies traditionally have carried a stigma as being inferior in some way, many direct-to-video movies are profitable and well-received. For example, Warner Bros. Animation has released several successful direct-to-video animated movies set in the DC Universe, such as Justice League: New Frontier.

Tuesday, 13 December 2016

Saturday, 10 December 2016

we make everything count in gnet acting group

From every day of our life we make everything count from the production to the stage acting and making bauchi one of the best place for entertainment yes we are indeed remarkable and unbearable in the world of entertainment... Keep in touch with us everyday of your life and always laugh and learn from our great production which will produced everyday of our life we the gnet grouonlove you as we love ourself...
Everyday we explore we give you something new, something perfect and great as well... Everything about us is all about wisdom taking never miss out in coming back and requesting for more of our great production we the gnet love you.


new face of house of adoro




abosede adelemoni the new beautiful of house of adoro you can contact for any medeling features 

single out gallery